This was an independent project put together showing wedding fashion looks in downtown Detroit, with a photo shoot in motion feel.
By RockStar Media plus
Shot on a Canon 5D and 7D
Les Ames Soeurs from RockStar Media on Vimeo.
Check this out $1499 for a Worlds Fastest Compact Flash Storage
Memory cards have come a long way in the past decade. My first cards were 256 MB and ran at 4X speed and cost $250 per card. Yes, that is correct! Not Gigabyte but Megabyte. And the speed was 4X not 400X. And the cost? Well we just knew that we were on the cusp of a learning curve, so we bit the bullet and ordered enough to cover our first event.
Back in 2001, our first digital cameras had 3.1MP sensors, so the file size was tiny at best. And since we were used to shooting film, exposure was not an issue, so we shot in jpeg. Computer hard drives averaged 20-40GB, so we always backed up the image files onto CD-ROMs that cost $1.50 – $3 each instead of leaving the files on the computer. Ah the early days of digital…
Fast-forward to today where everyone has 30GB of flash storage, RAW format is the norm, and our computers have enough storage to handle anything. If you still need more storage or want to move the file outside your location, cloud hosting may be the answer.
Video has also moved into the digital realm with most SLR cameras offering assorted video recording functions. Video put huge demands on memory and must move huge amounts of data into a storage area quickly. Compact flash cards have been the leaders in storage capacity and transfer speed for most professional grade cameras, and are now changing once again.
SanDisk brings the latest advancements to the forefront offering 128GB cards with the speed to match at 100MB per second. This will allow a capture of full HD video storage with today’s pro DSLR cameras. Advance features such as these do come at a price. SanDisk will be retailing the newest cards for $1499 so get your credit card ready.
Read the full press release at SanDisk
A Fitting End To An Era: Kodachrome Is Dead
When Kodak stopped producing the film last year they gave Steve McCurry the last roll. He hand delivered that roll to Dwayne’s Photo in Parsons, Kansas the last lab on the planet to process Kodachrome. On December 30 they discontinued the processing forever. Here’s a frame from that last roll and more can be found on McCurry’s blog:
There’s a fitting tribute to the Kodachrome Generation over on David Burnett’s blog (here).
Truth be told, the last ten or 15 years were not easy for anyone what actually WANTED to shoot KR. Kodak slowly closed labs around the world, and the mere act of getting your film souped became Herculean. (Actually, Hercules shot tri-x.) So when the marketing people at Kodak (this actually happened ten years ago at a dinner in DC) would say that “there is no demand for the film anymore… no one wants to use it..” I had to remind him that at some point anyone using the film — or any film — actually wants to be able to SEE WHAT THE HELL THEY SHOT! You can’t expect people to wait a week to see their work. The technology existed to create small mini Kodachrome processing machines which could reasonably be installed at any good sized one-hour lab in the country. But for reasons known only to the geniuses at Kodak’s planning department, no serious consideration was ever given to supporting that project. They sure could have sold a lot of film if only we’d been able to see it in a timely manner. Perhaps it’s a parable for what technology is doing to our society.
These tutorials are from Lam Tran Photography
Before / After
Model is Kakao (her real name is Tú Thanh but she prefer to be called as Kakao), although she doesn't work in the industry as a professional model but she's one of my favorite model that I've worked for a few photoshoot.
MUA is Trân
One of our published job, this was one of my very first magazine shoot, was done in Nov 2008
Before / After 2

Before / After 3
From what I've said in the last entry (http://lamtrancit.blogspot.com/2010/02/before-after-2.html), I keep my words and make another short tutorial here with more information for the "3 steps": Dust and Scratch, Gaussian Blur and Add Noise.
This is the original image from a shoot for Margo Yalkovskaya and model Kaleriya.
The images size is quite large (it was created from my Sony A900 body). Why should you care about the image size? Because depend on how large the area skin you want to fix, you might use the filter more variable.
Next, duplicate to new layer, the new layer will be automatically named Layer 1 Copy
Then you begin to make new skin tone for her.
Use Dust And Scratch filter to have a window look like this:
Hit Ok.
And next, Add Noise filter, you can skip this step if you like to have her face look smoother and softer. But I suggest you should do this step to add some little texture on her skin
If you're not sure how much noise you need to add, see the picture above as an example.
Remember that all these filter steps was applied on the same layer (that would be Layer 1 Copy)
Add a layer mask on the Layer 1 Copy and fill Black color on the photo when you select at the layer mask. So now you hide everything that was display earlier on the Layer 1 Copy. (You can also hold Alt when click to the button Add Layer Mask so that no need to fill the black color)
Finish the paint job, you will have the result like this:





















